Star Wars crew confronted MAJOR problem in constructing Luke Skywalker’s dwelling ‘Roof was GONE’ | Films | Entertainment

Star Wars continues to please followers with new worlds being created each few years. The unique trilogy remains to be probably the most iconic, altering the lives of its stars and plenty of followers who grew to become obsessive about each body. The artwork director on the unique Star Wars, Leslie Dilley, was honoured with the Oscar for Best Art Direction for his work on Star Wars, later known as Star Wars Episode VI: A New Hope.

Part of that job got here with travelling to Tunisia, which was used because the filming location for Tatooine, Luke Skywalker’s childhood dwelling.

Luke grew up on Tattooine together with his uncle and aunt, although he later discovers they took him in after the loss of life of his mom, Padme, and his father Anakin Skywalker’s surprising flip to the Dark Side.

His sister, Leia, performed by Carrie Fisher, was raised by the Senator of Alderaan and his spouse, which means they didn’t develop up collectively.

Luke’s childhood dwelling has grow to be an iconic scene and was seen a fantastic deal in different movies, together with Star Wars Episode IX: The Rise of Skywalker.

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According to Leslie, that dwelling had some attention-grabbing points in filming, together with one second the place your complete roof collapsed round them.

Speaking solely to, he mentioned: “I used to be in Tunisia with the crew liable for getting Luke Skywalker’s childhood dwelling prepared for taking pictures.

“The day earlier than the taking pictures crew was to reach, we had gotten the 30’ round roof of his uncle’s home set into place.

“The roof stood just a few toes above ground-level, as a result of the house was underground. It was fairly a heavy disc that took many palms to place into place.

“On our arrival the subsequent morning, we had been astonished to seek out the roof gone…

“After some heavy sleuthing, we decided that there had been a wind and sandstorm throughout the night time, and the disc had been lifted up by the wind onto its facet and we discovered it fairly a distance away, half-buried within the sand.

“We might see the tracks the place it had rolled alongside on its facet like a penny!

“We discovered that we couldn’t make any assumptions concerning the desert and the climate.”


Clearly there have been many challenges to creating these many worlds, and Leslie has additionally labored on another main movies, together with some from director Steven Spielberg.

He mentioned: “It was fantastic to be part of so many fantastic franchises. Star Wars, Raiders, Alien, Superman, Bond – it was actually an thrilling time and I wouldn’t change a factor…

“On Legend I used to be a part of a crew creating probably the most magical forest with 30’ timber on a Pinewood soundstage. Those monstrous timber had been engineered to maneuver freely.

“And then constructing an asteroid set for Mimi [Leder, an American film director] on a Paramount soundstage for Deep Impact was thrilling as effectively.

“Steven Spielberg was instrumental in my working for Mimi, and we labored on three movies collectively.”

One of the films he labored on with Spielberg was Raiders of the Lost Ark, which gained Leslie his second Oscar for artwork path, regardless of being nominated for Alien and The Empire Strikes Back.

Leslie will obtain the 29th Outstanding Contribution to Film and Television Award on the BAFTA Cymru Awards this 12 months.

The British Academy Cymru Awards, hosted by Alex Jones on BAFTA Cymru’s social media channels, will happen on Sunday, October 25 at 7pm

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